psychotropic
zone
line

Øresund Space Collective

Øresund Space Collective

Øresund Space Collective is a great new band with members both from Copenhagen, Denmark, and Malmö, Sweden. They play totally improvised psychedelic instrumental space rock. The name of the band comes from the bridge that combines these two countries. They will release their debut CD this week, so it was a good time to ask them a few questions. My questions were answered by a long time space rock fanatic Scott "Dr. Space" Heller.

How did it all start with OSC? Whose idea was it to start a band playing instrumental, improvisational space rock?

Scott: It was my idea to get me and the guys from Mantric Muse and Bland Bladen together to jam. I was good friends with the bands Mantric Muse ( Copenhagen) and Bland Blanden (Malmö, Sweden), who had played a few concerts together, and I had stopped playing synthesizer with Gas Giant and really wanted to continue to play music. In April 2004, I asked if maybe we could all just get together for a jam and it turned out that we all had such a great time and the music was super cool right from the start, that we started setting up regular jam sessions, switching back and forth between Sweden and Denmark. It has been very successful and is now a real collective of like minded musicians.

How would you describe your music?

Scott: I think the music we play is very special. It is 100% improvised on the spot. We try to fuse together the natural musical energies that come forth from our minds and hands, when we are all in a similar musical and mental environment. It has different flavours of the music, because of all the different players. I bring in the space sounds, Magnus gives our music the Ozric Tentacles feel, while Sebastian is very folky at times but also brings a more 70's based guitar sound, Ola is our gatekeeper, he plays all the cool rhythms under the music that both Michael and Søren hook into that allows our spaceship to fly, while Mogens brings in the more jazzy feeling to the sound. A great mixture that allows us to explore the musical universe.

I can hear some Ozric Tentacles in your sound and possibly some Korai Öröm on some tracks, what are the bands that you would compare your band with if you must?

Scott: I think Ozric Tentacles is a favourite of many of the collective members and a highly influential band for us, no doubt. I think that even though we don't listen to a lot of Krautrock together, this has a big influence on us, bands like CAN, Cosmic Jokers, Amon Duul. We all dig very rhythmic stuff like Korai Öröm, Ole Lukkøye and Hidria Spacefolk as well. On a personal level, Doug Walker's Alien Planetscapes has been a huge influence on me to just want to make and explore music, whatever direction it may take.

Øresund Space Collective

Tell me something about your average jam session. How does it all work?

Scott: We usually get together in the early evening on a Friday or Saturday and greet, have a beer or two, set up the gear (which can be quite complicated with 3 different keyboard set ups, 2 guitarists with lots of pedals and gear and sometimes percussion as well as drums). Then we smoke some joints and jam! Our first jam is usually short as we want to make a bit of a sound check for the recording as getting a good sound on the recording is very very important to us. We then have 3 or 4 jams lasting from like 30 to 80 mins each, where we take a break in between to have more beers and joints and we play until it is getting too late or we are not feeling creative anymore.

How did the recording of your first studio album differ from your rehearsal jams? Did you use any overdubs? How much stuff did you have to leave out?

Scott: It was pretty much like our rehearsal jams it just took a lot longer to get set up (about 4 hours) before we could jam but we took the same approach. Another main difference was that we did not hear each other via the PA but with headphones. This was not ideal for some of the musicians, particularly, Sebastian, who had a lot of troubles with his gear and hearing everyone, while it was amazing for Ola, Mogens and myself. We had 4 jams ranging from 30 minutes to 60 minutes for a total of about 2½ hrs. Out of all that improvisation, we had about 90 minutes of cool stuff. There were three pieces ("Oresund Space Boogie", "Exploding into Space" and "Space Burst Cinema") that we did not use as the mix was not as good as it could have been. As for overdubs, Magnus overdubbed a lead guitar on "Exploding into Space" but this was the only overdub. Rather than overdub, we took a lot of things out when we mixed. Mogens had a noisy cable and his Hammondwas slightly out of tune towards the end of the session so sadly some of his organ playing was removed. Sebastian had a lot of guitar problems at the beginning of the session as well and most of his playing is not in the mix as well, but the rest is all there...

How about the live gigs? Can you create the same jam feeling in studio and live that you can at rehearsals?

Scott: Well, we have only performed two live gigs so far and they were both pretty successful as we played 3 hours and 2 hours, respectively. People got into the music and we have had some nice responses at the live archive.org ( www.archive.org), where both concerts can be downloaded. I think that in the live forum, we play more upbeat and less spaced out than when we are just jamming for ourselves. Some of the jams have tended to be a bit shorter as well. I think our live concerts will be as good as or better than the rehearsal jams, once we play live more often.

Why did you decide to release the debut album on Transubstans from Sweden? Were there any other possibilities?

Scott: The CD session was sent to several labels and 3 showed interest in releasing the CD but we ultimately went with Transubstans as Johnny was really supportive about the time frame of when we would like to have it released and we worked out a fair deal as far as promotion and CD pressing, and they are close by and easy to work with.

Øresund Space Collective

Is it hard or time consuming to have members living in two different countries? What are the advantages of this?

Scott: This has actually been pretty easy to pull off due to the Øresund Bridge and the train that connects Malmö and Copenhagen. It is very easy to drive over with our gear when we jam in Malmö or for the Swedes to take the train or drive over here. It is a pity the bridge is so fucking expensive (about $80 round trip to drive!). I think the only advantage of this situation is that we get to go visit each others countries and the Swedes can come drink the cheap and much better Danish beer!

Your sessions often seem to have a bit different players, although some remain the same almost all the time. Do you consider your band line-up to be a steady one, or do you want to keep it more flexible?

Scott: I think we pretty much consider the stable line up of the OSC to be: Scott, Mogens, and Ola on Synths, Søren on drums, Michael on Bass, and Magnus and Sebastian on guitars. We have great friends in Sweden who have come and jammed with us and these include Kaufmann (ex- Bland Bladen Drummer), who played on many of our early sessions and will likely join us as a percussionist in 2006. Dave (bass), also from Bland Bladen, has contributed to a lot of our sessions and I suspect will play with us as well. We have had cool jams with Eduardo from Sgt. Sunshine as well as Tobias and Jocke from the Carpet Knights. Stefan (Gas Giant guitarist) has promised he would jam with us in 2006! I suspect we will continue to be flexible.

Do you have plans to play outside of Denmark and Sweden?

Scott: We really do want to play all over Europe. We hope that we can play some festivals in Germany in the summer perhaps and make it up to Finlandfor a gig at the Psychotropic Zone. Holland would be great as well. We will see… I think it might take a few years for us to get a fan base large enough to afford for us to go on the road. We are 7 or 8 people with a lot of gear so this requires two vans or a quite large van. We will see...

Øresund Space Collective

Your fans can download most of the stuff you've ever played from your web site for free. What's the master plan behind this? Are you going to keep this up as it is for ever? Do you have any idea how much stuff have been downloaded from your site?

Scott: The way I see it is once we have played the music, we are done with it and it now belongs to the fans. The MP3 files will always be free to the fans on our site and our concerts will always be free to download from the archive.org. There is no plan but for us, we would just like to gradually build up a fan base and provide the best music we can to the world. We hope that we will continue to produce cooler and cooler music and we also hope to move into 24 track recording of all of our jams but this costs money. We are looking for a music fan that might help us out financially with this. Lets see… Even with 24 track mixes we will still give the MP3 files away for free as far as I can see. We will reserve our studio material for CDs and these won't be put up as MP3 files to encourage people to support us and buy our CDs. We have started a series of the best of the live jams called Picks in Space. These are selections from our first 11 jams that can be purchased on CD-R or via FLAC download. As far as downloading, I am pretty blown away at how much is downloaded from the web site. The past few months have averaged over 10GB of downloads from the site with a peak of 13:2 in December 2005. People from all over the world are hearing our music from Belarus, Mexico, New Zealand, Singapore, Japan, Germany but most of the downloads are from Sweden and United States.

Any other future plans you'd like to share with us?

Scott: Our immediate future is celebration of our CD release on Jan 21sthere in Copenhagen. We hope to have a great crowd and we will jam for hours. Also, we hit the Black Tornado Studios on March 10 and 11th to record our next CD, which will be a double CD release. We also hope to record a 3rd studio session later in 2006. We are also trying to set up some concerts in Denmarkand maybe Sweden with Damo Suzuki from CAN fame.

What is your goal as a band if you have one?

Scott: The goal of the band is for us to have fun making music. We hope that it will be something that other people will like and can identify with. If not it does not really matter to us. We would like to be successful and play concerts all around the world but we will see. Making a living off playing music is extremely difficult unless you play pop music, which is quite hard to do when you make the music up off the top of your head each minute like we do!


www.oresundspacecollective.com

line
zone

© 2001–2012 www.unimeri.com